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Sislej Xhafa ((アルバニア語:Sislej Xhafa), (セルビア語:Сислеј Џафа, Sislej Džafa)) (born 1970 in Peć, SFR Yugoslavia (now Kosovo)) is a Kosovar Albanian contemporary artist, based in Brooklyn, New York. He is represented by Galleria Continua, San Gimignano / Beijing / Le Moulin and BlainSouthern in the United Kingdom. == Life and works== Xhafa is known for his artistic investigation into social, economical and political realities associated with the various complexities of modern society. He has over the years highlighted his artistic work on economic and social themes, political realities, as they interact with the protean variety of modern society. His investigations, for example, into phenomena of tourism or forced illegality use a minimal language and they are also ironic and subversive, practising indifferently a wide range of media, from sculpture to drawing, and performance to photography. *''“Reality is stronger than art. As an artist I do not want to reflect a reality, but I do want to question it. My social upbringing does not embrace, rational linear actions.I approach the world and life with primal instinctive behaviour”''. Interview of Gilane Tawadros with Sislej Xhafa, catalogue of the exhibition “Transmission Interrupted”, Modern Art Oxford, 2009. The social results of economic theories, and the conceptual outcome deriving from complex relations, have long been at the heart of Xhafa's artistic research. It questions the legal status of his place of origin, Kosovo, and he presents himself as the Clandestine Pavilion at the Venice Biennale; or in the shoes of a broker who does not sell shares but buys and sells the departures and arrivals of trains in the performance "Stock Exchange". In a square in Turin, he sets up a temporary job centre which in reality is a type of stage set; in New York, he reflects on the concept of security and stability, and in Manhattan he gets a truck of the 1950s full of young lawyers to go up the main road as they recite aloud the page of the yellow pages under the entry "Lawyers". ''"It's a politics of interruption, upsetting the configuration of forces determining what is visible and what is not, what forms of speech are understood as discourse and which are only perceptible as noise, who is designated as a speaking subject and who is merely spoken to".'' Jacob Proctor, Playing Prisoner’s Dilemma – Iniside the world of Sislej Xhafa in «Bidoun», #11, Summer 2007 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Sislej Xhafa」の詳細全文を読む スポンサード リンク
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